Cover image: “Overgrown” by Emily Rankin

Ripples on the Pond:

Aldous Huxley's Brave New World

“For Aldous, human beings could be aptly described as amphibians because we must operate in so many different elements at once. As animals whose minds have been shaped by language, we must reconcile the dynamic flow of sense experience with the more static world of signs and symbols. As mortal beings prone to believe in values and ideals that transcend time itself, we must somehow reconcile our imperfect understanding of our past, present, and future with our intimations of eternity…. Just as the first amphibians had braved the harrowing passage from sea to land more than three hundred million years ago, our species [is] now moving from a familiar element into something entirely new.”

—R.S. Deese, We Are Amphibians: Julian and Aldous Huxley on the Future of Our Species

 

“With the lamp of word and discrimination one must go beyond word and discrimination and enter upon the path of realization.”

Lankavatara Sutra, as quoted by Aldous Huxley in The Perennial Philosophy

 

“People should think less about what they ought to do and more about what they ought to be. If only their being were good, their works would shine forth brightly. Do not imagine that you can ground your salvation upon actions; it must rest upon what you are.”

– Meister Eckhart, as quoted by Aldous Huxley in The Perennial Philosophy

Below, we have featured a small selection of work from the issue. The full issue is available for online viewing with the link above.

In addition, we will send a PDF download of our two previous issues for any “tip jar” contribution to our PayPal account.

If you like what you see in the issue, you may also want to check out our ongoing “Maya’s Micros” feature. As the name suggests, it will be curated by contributing editor Maya Highland and will exclusively feature micro-poetry and micro-fiction pieces.

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Featured Selections

Humphrey Astley

To a Young Poet of the Far Future

I see you dragging a stick
across the skin of a new
desert, back and forth,
as though you stirred the pot
in which you’ll cook your next
meal, should it appear.

You’ve no idea yet
that out of this cauldron of lulls
a proto-lyric will rise
and patter across your days,
the footsteps of a god
approaching or receding.

Perhaps you have some culture
already, though nothing of mine
survives. You know perhaps
the runes of your elders. Good.
What you do not know
is that you’ve already beaten

time at its own game—
the sign you brush in the sand
could seed the kind of line
whose beat is made to last,
and the seconds will be helpless
to play along. I ask

only that you look back
from time to time, and dream
of ancestors unknown,
as though you beheld a hidden
mirror—hidden in
the glass that dunes the ground.

John Sexton

Lacum Missus Sum

Andre F. Peltier

The Cannibalism of Yesterday and Tomorrow

“How beauteous mankind is! O brave new world,
That has such people in’t.” ¹

Miranda’s vision,
blurred by her holy island,
clouded by her peaceful life,
saw the arrival of the mariners
as the arrival of prosperity,
longevity, a life worth cherishing.
The future isn’t so simple though.
Caliban knows the brave new world
will forever remain unfulfilled.
The brave new world is
a façade inside a façade.
Coming cultures will
climb and crumble.

Bernard Marx knew it too.
Huxley’s acid dreams,
his fancy fungus futures
built on the backs of Fordlândia,
on the backs of the unacknowledged
Zamyatin, will
climb and crumble.
Our brave new world
is now and never.
Our brave new world will
eat us alive.

1. Shakespeare, William. The Tempest. Act V, Scene 1.

Josephine Pino

Gaping Eclipse

Folding bolts find
fading ice.
Parting lips
forge words
                                                 defiled.
Lonely digit
withholds fire,
remnant of rage
circles alive
                                                 gaping.
Stifled urges stoke
keening purges.
Confounding reality bled
lonely limbs
                                                 eclipsed.
Passing future spies
vision without eyes
sound without voice
existence with no
                                                 choice.
Power denied

Danny Rebb

The Tangled Web

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